Sunday, August 30, 2015
Saturday, August 29, 2015
Friday, August 28, 2015
Thursday, August 27, 2015
Saturday, August 22, 2015
Friday, August 21, 2015
Sunday, August 16, 2015
Led Zeppelin - Achilles Last Stand (Live Knebworth 1979)
https://www.youtube.com/watch?t=66&v=YWOuzYvksRw
You can see the renewed sense in them. Almost a desperation to prove
they were still LED ZEPPELIN, BEST ROCK BAND EVER. And all the force
they could muster seemed to fully come together on this song. It has the
feel of a military campaign, and they are rolling along like a
steamroller.
Saturday, August 15, 2015
Jason Isbell - "Keep on Smilin" (Wet Willie) acoustic @ Newport Folk Fes...
great wet willie track..how could you not smile
Friday, August 14, 2015
Sunday, August 09, 2015
Saturday, August 08, 2015
Friday, August 07, 2015
Saturday, July 18, 2015
Friday, July 17, 2015
Thursday, July 16, 2015
Saturday, July 11, 2015
Friday, July 10, 2015
Friday, July 03, 2015
Thursday, July 02, 2015
Yes - Close To The Edge Live 1975 (HD) - A Celebration 2DVD set
He had an approach that contrasted sharply with the somewhat monotonic,
immobile bass parts of today. His lines were important; counter-melodic
structural components that you were as likely to go away humming as the
top line melody; little stand-alone works of art in themselves.
Whenever I think of him, which is not infrequently, I think of the
over-driven fuzz of the sinewy staccato hits in Close to the Edge (6’04”
and on) or a couple of minutes later where he sounds like a tuba
(8’.00”). While he may have taken a while to arrive at the finished
article, it was always worth waiting for. And then he would sing a
different part on top.
An individualist in an age when it was
possible to establish individuality, Chris fearlessly staked out a whole
protectorate of bass playing in which he was lord and master. I suspect
he knew not only that he gave millions of people pleasure with his
music, but also that he was fortunate to be able to do so. I offer
sincere condolences to his family.
immobile bass parts of today. His lines were important; counter-melodic
structural components that you were as likely to go away humming as the
top line melody; little stand-alone works of art in themselves.
Whenever I think of him, which is not infrequently, I think of the
over-driven fuzz of the sinewy staccato hits in Close to the Edge (6’04”
and on) or a couple of minutes later where he sounds like a tuba
(8’.00”). While he may have taken a while to arrive at the finished
article, it was always worth waiting for. And then he would sing a
different part on top.
An individualist in an age when it was
possible to establish individuality, Chris fearlessly staked out a whole
protectorate of bass playing in which he was lord and master. I suspect
he knew not only that he gave millions of people pleasure with his
music, but also that he was fortunate to be able to do so. I offer
sincere condolences to his family.
Wednesday, July 01, 2015
Tuesday, June 30, 2015
Sunday, June 28, 2015
Wednesday, June 24, 2015
Sunday, June 21, 2015
Friday, June 19, 2015
Tuesday, June 09, 2015
Monday, June 08, 2015
Sunday, June 07, 2015
Saturday, June 06, 2015
Sunday, May 31, 2015
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